“Looper”: sheer loopiness

And this week’s Sneak-Out Wednesdays movie is… Looper!

For the first 30 minutes, I honestly thought it was a turkey. It commits that laziest of all directorial sins: the narrative track that explains the film for those in the audience who shouldn’t really be let out unsupervised. (“I’m too untalented to show you, so I’m going to read it out instead.”) It probably came from a focus group rather than the Director’s hand, but it’s intensely annoying nonetheless.

Fortunately, after the first half hour the director gets the upper hand over the focus group again (there’s definitely going to be a Director’s Cut) and it turns into this amazing piece of art. Tarantino on his best day would have trouble getting close.

I didn’t come with high expectations. Time travel films annoy me, travelling the arrow backwards being one of the few things that’s really impossible. But let’s face it, a world where Bruce Willis speaks French and Mandarin is already pushing the disbelief scale skywards…. and the subgenre’s so full of hackneyed cliches I didn’t think there’d be much creativity here.

But somehow Rian Johnson pulls some real characters out of the Kansas canesugar. It’s believable how a young runaway might grow up into a jobbing assassin trained to kill without motive or reason and think himself the Man for doing it. There are the right motives for jumping into a time machine when you’ve got a chance to escape. The whole narrative is well-constructed and pretty coherent within its own frame of reference. (Although I’d have taken a gun back with me, Bruce.)

The way Joseph Gordon-Levitt presumably trained for days (possibly fixed in post) to get just the look of a young Bruce Willis in his eyes for one of the film’s opening sequences … the way his older self might still find the killer within him unreconstructed after all… I’m not giving anything away here; this much is in the trailer and voiceover. But there’s a couple of not-quite-foreseeable plot twists – and I left the cinema happy. 8/10, Rian Johnson.

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