It’s not about your ability to delete homeless people from your field of vision. It’s not about having a minimum of three locks on your door, or believing £30 is a reasonable sum to spend on a takeaway. No, being a true Londoner is about …. freestyling!
Freestyling is the skill of staying upright on the Tube without holding on to straps, poles, or parts of other people’s anatomy – “riding” the floor of the train as if it were a surfboard. (Of course, we’re assuming the surfboard is huge, dry, stops every couple of minutes, and is shared with a hundred people. Use your imagination.)
The rewards for doing so successfully are enormous – out-of-towners gaze at you in amazement, recent immigrants to the capital look mournfully at your smug no-hands-ma poses, and you’ll have the chance every couple of rides to prevent an attractive female person hitting the deck in a tangle of heels and miniskirt, for which she’ll be duly grateful. (Or alternatively, enjoying the amusing sight of less-attractive people spreadeagling themselves on the floor with a thump.)
So, as a service to Londoners who haven’t quite got the hang of it all, here’s A Tube User’s Guide to Freestyling! First I’ll cover the basic techniques.
The Tube User’s Guide to Freestyling
1. Be a tripod. You have three legs, not two. (Stop sniggering at the back.) Instead of thinking of your stance as a two-dimensional line, do what martial artists do: feel how balanced you are and compensate a couple of times a second. As the train sets off, slows, or makes one of those inexplicable stops in the tunnel that happen about ten times a journey, see the spot on the floor that offers most support and move your weakest foot there. Three legs is the most stable arrangement for any chair or table; be a tripod.
2. Keep it moving. The game’s to stay upright, not resemble a statue in the British Museum. The physics for this is “metastable” (the movements, not the statue); keeping yourself slightly dynamic can combat any Circle jerk or Northern rattle. Keep your weight forward on the balls of your feet (balls being a necessary component of Freestyling on the older lines) and always, always keep your body supple and joints unlocked. You are a coiled spring ready for anything, not a life model. Keep it moving.
3. Think about it. However good the thing on your Kindle, keep one thread of your mind focussed on your stance. Some stops (hi, Northern after rushhour!) are stamp-on-the-brakes sudden and there’ll never be any warning. Board each train as if there’s a brick wall across the track that the driver can only see once he’s within ten feet. (On older lines, this is partially true.)
Imagine there is a metal pole, floor to ceiling, in the carriage. (Er, OK, there really is, but if you were holding onto it you wouldn’t be a Freestyler, would you?) In your imagination, you are circling slowly around this pole; it’s there if you need it. Keep that vertical pillar in your mind and you’ll tend to stay upright.
4. Laugh at losers. On every train, at every start, there’s at least a couple of people in every carriage who seem baffled by the basic physics of it all: when the train starts off, a body will attempt to remain in place, leading to said body stumbling in a direction opposite to that of travel. It’s too late for these people: they will never learn, so it’s okay to laugh at them. It’s not too late for you.
Over the next few blogs I’ll look at the individual characteristics of each Tube line and the advanced techniques needed to successfully Freestyle each. More later!